Startups are prototypes

Startups are prototypes

A startup isn’t just an early-stage company. It’s a mechanism to reduce uncertainty. Every early customer, product release and funding round exists to answer one question: have we learned enough to justify the next investment? A startup is essentially a super complex prototype designed to validate...

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Shapeshifting the Future

Shapeshifting the Future

Every year we open our doors for a week to a student trying to find their way into the industry. Not work experience in the shadowing-only sense but a real placement, with a real brief. We do the same for a roomful of UCL students, in the studio for an afternoon. From the outside, a career in this...

Studio
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Your biggest asset in an RFP, your website

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Studio
21d ago
From static frames to a creative operating system

From static frames to a creative operating system

Looking beyond the flashy generative UI, shader effects and animation features at Figma Config signaled a deeper, more structural shift: the transition from a static repository of files and rules into a behavioural operating system. I left San Francisco with a camera roll of screenshots and pages...

Design
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Standardise the foundations, not the brand experience

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Putting video back where it belongs

Putting video back where it belongs

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The theme is the guardrail

The theme is the guardrail

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Cache Components: the right content at the right time

Cache Components: the right content at the right time

Cast your mind back to the earlier days of the world wide web. A website was essentially a digital document, the web a library, and the internet the mechanism of delivery. Updating a document meant editing HTML on your computer and uploading it to a server by hand, usually over FTP. In 1995 PHP...

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We build by leaving things out

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Most of what makes a WordPress site good is what we choose to leave out of it. WordPress runs a large part of the web on a big promise: whatever you need, there’s a plugin for it. That promise is one of its greatest appeals, and its most costly trap. Almost everything that harms a WordPress site...

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Letting type move

Letting type move

We treat type as something that sits still — fixed in place, headings always the biggest thing, motion bolted on at the end. For one Creative Spark we dropped those rules and asked what type could do once it started moving. Creative Spark is our in-house R&D session: ninety minutes, a single theme,...

Engineering
2mo ago

Shapeshifting the Future

Tara HealTara Heal Studio
6 August 2026
3 min
Shapeshifting the Future

Every year we open our doors for a week to a student trying to find their way into the industry. Not work experience in the shadowing-only sense but a real placement, with a real brief. We do the same for a roomful of UCL students, in the studio for an afternoon.

From the outside, a career in this field has no obvious shape, and a week spent watching over someone’s shoulder doesn’t give it one.

One week, one real brief

So the week is structured rather than simply open-door. It runs on-site, every day, and it isn’t one person carved out to look after the student. Someone from each part of the business makes time to sit down with them, in person, over the course of the week. Those conversations are what the week is really built around. Across the industry we’ve watched work experience opportunities thin out over the last few years, and we’re keen to keep ours alive.

This July the placement went to Estelle, an A-level student in her final year. We gave her a website to design and build from scratch, following the same process anyone on the team would. Start in Figma, work out the interface, then take it into code. She built the front end herself in HTML, CSS and JavaScript, then pushed further than we’d asked, into GSAP for animation and into APIs, to understand what a back end was actually doing underneath the pages she was building.

Alongside the project she sat in on the meetings we don’t usually think to explain to outsiders. Client calls, internal check-ins, the ordinary back-and-forth of how a studio stays aligned week to week. That’s often where the real learning happens, less in the tools than in watching how a business talks to its clients and to itself.

“The team was incredibly welcoming, and I loved getting to talk to so many people about what they do daily.” — Estelle

You carry it with you

Split composition: a portrait of Theo on the left, the UCL campus on the right A careers talk with Master’s and PhD students from UCL

The placement sits on a longer thread. A few weeks earlier we’d welcomed Master’s students from UCL’s Human-Computer Interaction programme into the studio for an afternoon of talks and honest questions. Tudinh, our CEO, studied HCI at UCL, and so did Theo, one of our senior strategists. This wasn’t outreach in the abstract. It was someone showing students the room he once sat in, from the other side.

Theo walked them through his own route in. History and anthropology, then journalism, then an NGO, then HCI. His Master’s project on chatbots was made obsolete almost overnight when the first GPT models arrived the year he graduated. It is also, as it turns out, exactly what he draws on now, working out how people actually use the AI inside the tools we build. You rarely start afresh, was the message he left them with. You carry what interests you into whatever comes next.

What it’s for

We do all of this because we’re genuinely invested in the people trying to break into this industry. What seems to help is being handed something real to build, making the calls yourself, and sitting close enough to the day-to-day to see how the pieces fit together. Ideally someone leaves with practical knowledge and enough confidence for their next step, whether that’s another stage of their education or a first move into a career, knowing more clearly what this industry looks like from the inside.

That’s the shapeshifting part. Not that the students change, but that time at ON, a week’s placement or an afternoon’s conversation, should change the shape of what feels possible next.

If you teach, or you know someone who should be in the studio next summer, we’d like to hear from you.

Jul 2026

One of the 214 hand-drawn sheets of Inō’s map of Japan, and his team surveying Mitarai in 1806

Measure

In 1800 a retired sake brewer named Inō Tadataka set out to walk Japan’s coast. He spent 17 years and 35,000 km on foot, and died before the work was done. His team finished the first accurate map of Japan in 1821, and it stayed in use for a century.

Jun 2026

William Badcock, A Touch-stone for Gold and Silver Wares (1677)

Hallmark

The word hallmark comes from an actual hall, Goldsmiths’ Hall in London, where since 1300 silver has been tested against the sterling standard and struck with the hall’s mark, so you could trust it without knowing the maker.

May 2026

Alan Kay: His Sketches, Piano, and Computer

Notes

A note can be a written record, a struck key, or the act of noticing, and each sharpens how we understand the world. A piano is an instrument, but also a technology built on the notes it makes possible.

Apr 2026

Photographs of a red cloth bound travel handbook from 1894. The book is open to show pages with maps and illustrations.

Change

A red cloth spine caught my eye in a Tokyo bookshop last week. A handbook for travellers in Japan, fourth edition, 1894. I was 132 years late, yet most of what it describes still stands.

Mar 2026

Screenshots from the development process of the new ON release notes page

Taking the temperature

You walk into a room and you can feel it. Whether there is energy or not. We describe someone as warm. We talk about things cooling down. Temperature is something we sense before we have words for it.

Feb 2026

Pixelised image of a horse running

Rethinking video, prototyping faster, and encoding brand logic

In Japanese, the character for hand is 手. Joined with the character for craft, it becomes 手仕事 (teshigoto), or handwork.

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On the last Sunday of every month, we share insights on creative thinking, emerging tools, technology.